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directed by Jim Petosa
Brecht on Brecht celebrates one of the 20th century’s greatest dramatists in a stunning revue of his life’s work. Featuring songs and scenes from Kurt Weill, Hanns Eisler, and Bertolt Brecht’s most famous collaborations, and first-hand accounts from Brecht himself, Brecht on Brecht explores the political and social issues he faced as an artist fleeing Nazism and his eventual exile in America.
Regular Singing / Good / Fiddler on the Roof / Thurgood
Brecht on Brecht / Golda’s Balcony / The Gift Horse
CHRISTINE HAMEL* has appeared at New Rep in Ideation, Brecht on Brecht, Broken Glass, On the Verge, Ragtime, and Sweeney Todd, directing God Box, and dialect/voice coaching many productions, including Golda’s Balcony, Tongue of a Bird, Camelot, The Elephant Man, Amadeus, Holiday Memories, and The Kite Runner. Recent area credits include The Women Who Mapped the Stars (workshop, Poets’ Theatre); Tongue Tied Tight, and Delivered (workshop, Huntington Theatre Company); A Disappearing Number (Underground Railway Theater); The Penelopiad (Boston University School of Theatre); Season’s Greetings and Our Town (Wellesley Repertory Theatre); and The Glass Menagerie (Boston Center for American Performance). Regionally, she performed the role of Emma Darwin in Trumpery (Olney Theatre Center). Ms. Hamel is an Assistant Professor of Voice/Speech and Acting at Boston University. She is a Designated Linklater Voice teacher, and holds a Teaching Certificate in the Michael Chekhov acting technique. She currently resides in Arlington.
JAKE MURPHY* has previously appeared at New Rep in Ideation, Brecht on Brecht. Boston credits include Mamihlapinatapai (Boston Playwrights’ Theatre) and The Human Comedy (Boston University). Off Broadway credits include Dead End (Axis Theatre Company); and a staged reading of The Crowded Hour (Manhattan Theater Club). Regional credits include Noises Off and Sherlock Holmes (Sacramento Theatre Company); Boner Problem and Missed Connections (Brunch Theatre); and Romeo and Juliet (Marin Shakespeare). Film credits include We Can Do It, Can Hitler Happen Here?, Prom King 2010, and Ghost Light. Television credits include A Crime to Remember and The Defectives. Jake received a BFA in Theatre Arts from Boston University. “Love to ma & B.” jake-murphy.com
JIM PETOSA (Director, Artistic Director) joined New Repertory Theatre as an award-winning theatre artist, educator, and leader in 2012. He has served as Director of the School of Theatre, College of Fine Arts, at Boston University since 2002, and Artistic Director of Maryland’s Olney Theatre Center for the Arts and its National Players educational touring company (1994-2012). While at Boston University, he established the Boston Center for American Performance (BCAP), the professional production extension of the Boston University School of Theatre, in 2008. Throughout the Northeast, Mr. Petosa has directed for numerous institutions, including The Gift Horse, Brecht on Brecht, Good, Freud’s Last Session, The Testament of Mary, Broken Glass, Assassins, On the Verge, The Elephant Man (IRNE Nomination), Amadeus, Three Viewings, The Last Five Years, and Opus at New Rep. In Boston, his work was nominated for two IRNE awards for A Question of Mercy (BCAP). He has served as one of three artistic leaders for the Potomac Theatre Project (PTP/NYC) since 1987. In Maryland, his work earned over 25 Helen Hayes Award nominations as well as the award for outstanding direction of a musical for Jacques Brel is Alive and Well… His production of Look! We Have Come Through! was nominated for the Charles MacArthur Award for outstanding new play, and he earned the Montgomery County Executive’s Excellence in the Arts and Humanities Award for Outstanding Artist/Scholar. A member of Actors’ Equity Association, Mr. Petosa has served on the executive board of the Stage Directors and Choreographers Society, and currently serves on the Board of Directors for StageSource. Originally from New Jersey, he was educated at The Catholic University of America and resides in Quincy.
BRIDGET K. DOYLE (Lighting Designer) has designed Oleanna, Ideation, Brecht on Brecht, Thurgood, Good, and Baltimore at New Rep. Previous design credits include The Birds and the Bees (Sleeping Weazel); Don’t Ask Me (Concord Academy); Labyrinth of Desire, Aurora Borealis, Rosmersholm, Rabbit Hole, and Vinkensport (Boston University); Twelfth Night and Metamorphoses (Gordon College); Cabaret and Dog Sees God (Salem State University); and A Behanding in Spokane and Betrothed (Wellfleet Harbor Actors Theater). Bridget also designs for the Charles River Ballet Academy, Julia on Tap’s Beantown Tapfest, Brookline Academy of Dance, Onstage Dance Co., and Allstar Entertainment. Assistant design credits include Romeo & Juliet (Commonwealth Shakespeare Company); The Merry Widow and Greek (Boston Lyric Opera); Can You Forgive Her? (Huntington Theatre Company); Saturday Night Fever, Dreamgirls, Les Miserables, and Chicago (North Shore Music Theatre). She earned her Associate’s Degree from Cape Cod Community College, a BFA from Salem State University, and is now pursuing her MFA at Boston University. Upcoming projects include Urinetown (Concord Academy), and interning at the New York City Ballet.
RYAN BATES (Scenic Designer) has designed Ideation, Brecht on Brecht, Thurgood, The Testament of Mary, Via Dolorosa, and The Snow Queen at New Rep. Other recent scenic design credits include Los Meadows (Boston Public Works); Dear Elizabeth and Melancholy Play (The Umbrella); Blasted (Off the Grid Theatre Company); The Last Five Years (Arts After Hours); The Launch Prize (Bridge Repertory Theatre); That Time the House Burned Down (Fresh Ink); Academy Fight Song (Centastage); A Visit with Marie Curie (Parity Productions); Angels in America (Boston University Opera Institute); and 4000 Miles and Jacques Brel is Alive and Well and Living in Paris (Gloucester Stage Company). Ryan received his MFA in Scenic Design from Boston University and a BA in Theatre and Art History from Middlebury College. Originally from Danvers, he currently resides in Brighton. Upcoming projects include Or (Maiden Phoenix and Simple Machine) at Chelsea Theatre Works.
BRIAN M. ROBILLARD* returns to New Repertory Theatre after previously working on Statements After an Arrest Under the Immorality Act, Lonely Planet, Ideation, The Gift Horse, Brecht on Brecht, Fiddler on the Roof, Baltimore, Scenes from an Adultery, Albatross, On the Verge, and Pattern of Life. Recent area credits include A Christmas Carol (Central Square Theater); A Little Night Music (Huntington Theatre Company); Romeo & Juliet and King Lear (Commonwealth Shakespeare Company); Don Giovanni and Siren Song (BU Opera Institute); Song Cycle (Peabody Essex Museum); and Hairspray and The Fantasticks (Hope Summer Repertory Theatre). Brian received his BFA in Stage Management from Boston University. A native of Massachusetts, Brian currently resides in Chelmsford. Upcoming projects include Calendar Girls (Greater Boston Stage Company).